Dramaturgy explores dramatic theory across the media of theatre, film, television and radio, and attempts to find shared principles between them. Are you interested in how a book is selected for publication, in how to write for an online readership, or in learning how to edit? You’ll study the history of the historical novel and read critical and theoretical essays about the writing of history alongside examples of ground-breaking, innovative or revisionist modern and contemporary historical fiction. You will also be encouraged to bring your own independent discoveries as a reader and writer to the discussion, and to take part in the wider poetry community and poetry activities of UEA and Norwich, a UNESCO City of Literature. What role might literature play in this?
Towards the end of the module you will also have to opportunity to become involved in the editing of the annual MA Creative Writing anthologies. The part-time course takes places over four semesters and one dissertation period of six weeks. Taster and Enrichment Events. Each week you will engage in a rigorous feedback process on peers’ poems, and discuss a key element of poetic technique with reference to the work of a significant published poet. There is also a strong philosophical element of the module, you will be encouraged to explore the philosophical theory of aesthetic play in Kant, Schiller, and Nietzsche, and later in Huizinga and Derrida. We will study the forms, techniques and thematics of both non-fiction and fiction, with an aim to experimenting with and improving students’ writing in both forms. Using these enormously influential authors as a starting point, we read a range of ludic authors, passing back and forth between languages, nations, and genres.
I just didn’t know what to do about it.
Corporate Social Responsibility Charities Information. Marine Agriculture and Environmental. Centre for Interprofessional Practice. The full list of accepted tests can be found here: Are you interested in how a book is selected for publication, in how to write for an online readership, or in learning how to edit?
Each week we usually pair two authors. Your tutor will lead the discussion, but careful and informed contribution from the rest of the class is fundamental.
While you are at UEA, the focus will very much be on exploring your creative potential, in a highly supportive and well-resourced environment. You will be encouraged to contribute texts from their own reading for discussion. PROSE 1 The Creative Writing Prose Workshop is where creatjve will discuss form, style, voice, characterisation and structure amongst other literary concerns in relation to your own work.
MA Creative Writing Scriptwriting (Part time) Postgraduate Study – UEA
Alternative Qualifications If you have alternative qualifications that have not been mentioned above then please contact the Admissions Office directly for further information. This module introduces you to the ways in which material texts both in manuscript and print were transformed during the vital prosf from the emergence of print at the end of the middle ages to the close of the 17thcentury.
How, then, to write criticism? What role writinng literature play crearive this? Some critics have expressed an “invariable sense of disappointment” with the aesthetic failures of fiction written ‘after’ modernism: Your assessed work for the module will be in two parts: Key Dates and Events Semester Dates.
The might be of interest to anyone who wishes to gain an in-depth understanding of one of the most dazzling periods of European literary history.
History of the University. Your work will be read and commented upon by faculty members around sixteen times over the course of the MA — this includes workshops, dissertation tutorials and the double-marking of assignments. Course Structure You will take four taught modules two in each year of study, one in the autumn semester, one in the spring and write a dissertation during the summer, with tutorial supervision.
Our poetry graduates go on to enjoy all kinds of careers, especially in the literary arts. In this module you’ll explore these questions. Throughout the module you’ll learn how to become a better writer via becoming a better reader and editor eriting others’ work.
You will also choose an optional module from a wide range of creative and critical modules across the Faculty of Arts and Humanities. Various attempts at sub- categorising contemporary fiction interpret it as a departure from previous aesthetics or a response to political or historical events or movements: We will challenge the formalist distinction between experimental and realist fiction that has dominated the most influential work on the mid-century novel, and which has also stamped many post-war writers as irretrievably minor.
Against this we encounter an alternative series of responses to ‘critical’ philosophy, notably via Heidegger, Deleuze, and Simone Weil.
Creative Writing – UEA
Our students join us from all over the world and progress to careers across the creative industries. The work in progress around 5, words is circulated a week in advance, and annotated copies are returned to the student at the end of the session.
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For further information and to see if you qualify please contact intopre-sessional uea. If you would like to discuss your individual circumstances prior to applying please do contact us:. You’ll be provided with creative and critical knowledge in a single experiential burst, by exploring as they are relevant to writing fiction such topics as time, place, dramatic structure, character and concinnity.
On the ‘critical’ side, the module traces the evolution of leading postmodernist styles and themes, especially ludic ones, back to their origins in Dostoevsky, Joyce, Kafka, Borges, and Nabokov.