I would be happy to supervise dissertation projects that develop from your study of Russian literature and culture in such modules as Understanding Russia: My work focuses on French philosophy from Descartes and the Enlightenment philosophes to the present, with a specific emphasis on contemporary political and social thought and its application to the problems of 21st-century politics: My final-year module not available in is French Cinema: If you fail a core language module, you will not be permitted to continue study of that language in your second year. My main research interests are in the social and cultural history of Russia, with particular focus on the intelligentsia and the sciences in the 19th and 20th century. I would be happy to supervise a range of topics that relate to these areas.
In addition to a series of dissertation skills and methodology lectures in the Michaelmas term, over the course of the academic year you will receive one-on-one tutorials with your supervisor, which in some cases, where appropriate, may be combined with small-group seminars for example, when there are two or three students working on similar topics. On Research Leave , not available for Dissertation supervision My research focuses on eighteenth-century French theatre and libertine writings. I have supervised undergraduate dissertations on topics such as: In recent years, I have supervised undergraduate work on Latin American visual culture, Northern African immigration and race in Spain, and dictator narratives about the Dominican Republic. My main research interests are in the social and cultural history of Russia, with particular focus on the intelligentsia and the sciences in the 19th and 20th century.
To provide project-management experience of planning, documenting, and writing an extended piece of work in English 12, words. I am particularly interested in the relationship between philosophy and literature and in questions of nationalism and exoticism, as well as in pre-Freudian ideas about the unconscious.
School of Modern Languages & Cultures : Dissertation Specialisms and Topics – Durham University
My more recent research has been on female subjectivity and visual and textual negotiations of the body, as well as the literary and cultural portrayal of the mother figure and the mother-child relationship in twentieth and twenty-first century literature and film. Previous xurham topics include: Assessment At the end of each year you will be given an assessment mark for each of the modules you have taken.
I also research in intellectual history. My final-year module not available in is French Cinema: I am particularly interested in how Atlantic spaces and tropical environments are imagined and consumed as cultural artefacts. Further details of what these might look like are outlined in the dissertation handbook, available on DUO.
Assessment of the dissertation will evaluate your ability to assimilate, understand and analyse critically the primary and secondary material associated with your topic, also your ability to present a sustained argument with suitable evidence, and to express yourself in a suitable register of English or the target language. I have supervised dissertations on a range of subjects including pornography and political pamphlets; monstrosity in the seventeenth century; making a career as an actress in the eighteenth century; drag in early modern France; prostitution in eighteenth-century Paris; and Racine and mythology.
My work focuses on medieval French, Franco-Italian and Occitan literature, with particular interest in modern theoretical readings of medieval texts using psychoanalysis, anthropology, postcolonial theory and political theory especiallyas well as medieval translation and medieval politics. Current projects include lovesickness and courtly culture; Caravaggio and visual agency; Arcadian taste and the European Grand Tour; and the nineteenth-century debate on sacred art in Europe, with a particular attention to the intellectual exchanges between Rome and the British Empire.
Ongoing Induction, TLRP and Dissertation
Students who fail to attend these activities, or to complete the summative or formative assessment specified above, will be subject to the procedures defined in the University’s General Regulation V, and may be required to leave the University. Your proposal can be based on a specific ddissertation director, actor or genre, but also on specific themes or theoretical approaches.
I would especially look forward to supervising dissertation projects that in some way take their cue from undergraduate modules I have taught: Research duurham specialisms can be found on the MLaC Dissertation subsitealong with dissertatjon details on choosing a topic.
My final-year module is Contemporary French Writers: Finally, I also specialise in gender and postcolonial literatures and film more broadly.
The aim of the Dissertation module is for you to deepen your knowledge of one aspect of your studies by researching and writing in the target language an extensive piece of work in an area relevant to one of durhaam optional modules that you are taking at final year level. On Research Leavenot available for Dissertation supervision I specialise in twentieth-century and contemporary Italian literature, with a particular interest in the intersections between psychoanalysis and literature, as well as gender studies and feminist theory.
My final-year module is The F-Word: I specifically research and publish on the drama of Miguel de Cervantes. My research is in nineteenth- and twentieth-century Dissergation and Austrian literature and culture.
School of Modern Languages & Cultures : Useful links – Durham University
Much of my scholarship addresses the reception of classical antiquity through translation, commentaries, editing and intertextuality, often with a focus on gender and sexuality. I am able to supervise a range of topics within these areas, as well as those related to my specialist final-year module. I am happy to co-supervise dissertations on European film. In recent years, I have supervised undergraduate work on Latin American visual culture, Northern African immigration and race in Spain, and dictator narratives about the Dominican Republic.
My specific research interest is in the representation of the body and how it signifies, particularly when its borders are transformed or broken.
My approach is broadly based upon on a dialogue between, or a remix of several genres, dissertatipn, and critical contexts i. These may take the form of lectures, seminars, tutorials, classes for the spoken or written language, or work in the language laboratory or computer classroom.
I work on early Spanish literature and art, and am able to supervise a range of literary topics, as well as art historical projects that focus on European production more broadly.
While the subject of the Dissertation must intersect with the research expertise and interests of the staff, we welcome and encourage original and diesertation proposals from students. I have dissertaion extensively on devotional representations, looking at the wounded bodies of Christ and the saints, but am also interested in questions of appearance, race, and identity more broadly. If after resit you fail more than one single module you will be required to leave the University.