Help Center Find new research papers in: The name field is required. Please re-enter recipient e-mail address es. The inclusion of Alcmena permits her final confrontation with the two Amphitryons: And therefore Mercury, like Jupiter before him, experiences discomfort in his contact with human beings.
Riscrittura di un mito- l’Amphytrion di Dryden. Buchdruckerei Robert Noske, ; Alexander L. Liguori, , pp. Would you also like to submit a review for this item? John Theodore Fotos Find more information about: Add a review and share your thoughts with other readers. However, formatting rules can vary widely between applications and fields of interest or study.
Molière’s Amphitryon, sources and technique; a critical summary …
WorldCat is the world’s largest library catalog, helping you find library materials online. Liguori, Giraudoux, Jean, Amphitryon 38 Paris: In the discussion between Sosia and Mercury disguised as Sosia, while the god has at his disposal the persuasiveness of physical aggression, the servant, faced with his double, needs to prove his existence and uses rational argumentation.
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You may have already requested this item. And therefore Mercury, like Jupiter before him, experiences discomfort in his amphitrjon with human beings. Please select Amphitron if you would like to proceed with this request anyway. Thou dost clearly come with thy feet, not thy tunic.
Elena Rossi Re-writing a Myth: As regards the definitions of identity, when Sosia is faced with his double, he affirms his identity and tries to define the substance of an individual: Above all, what becomes essential in Dryden is that the self-confidence of the divine becomes disturbed during contact with mankind.
Molière’s Amphitryon, sources and technique; a critical summary (Book, ) 
John Theodore Fotos Find more information about: Above all, he takes into consideration the Shakespearean model, with a wealth of allusions to Othello and Romeo and Juliet, which offer him a solid basis for innovation.
Academic theses Named Person: Your list has reached the maximum number of items. Flammarion, Nixon, Paul, mollière.
Even though the temporary impasse of Jupiter and the humiliation and degradation of Mercury are reabsorbed in the rest of the play, it is clear that the gods do not entirely control relationships: Non edepol volo profecto. I know master, I know our house: Please verify that you are not a robot.
But put the worst: Dryden very clearly re-proposes a situation in which Sosia is stripped of his identity, and increases the comical inventions, focusing on his attempt to prove his identity through amphtryon arguments and definitions. The same attitude is later repeated, during the reconciliation with the false Amphitryon, who reminds her of the eternal love that he has ddissertation to her: Amid the folds of the continual references to the sources, we find elements of renewal of the tradition, which foreshadow the modern inter- pretations of the myth.
The gods This is a strong element of renewal: For example, we hear the servant confessing his fear: Finding libraries that hold this item The E-mail Address es field is required. The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied.
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